{"id":7419,"date":"2014-02-21T02:51:25","date_gmt":"2014-02-21T02:51:25","guid":{"rendered":"https:\/\/ft-agency.com\/wordpress\/?p=7419"},"modified":"2014-02-21T02:51:25","modified_gmt":"2014-02-21T02:51:25","slug":"feng-xiaogang-chinese-spielberg-bfi-talk-uk","status":"publish","type":"post","link":"https:\/\/ft-agency.com\/wordpress\/feng-xiaogang-chinese-spielberg-bfi-talk-uk\/","title":{"rendered":"<!--:en-->Feng Xiaogang: the Chinese Spielberg &#8211; BFI Talk in the UK<!--:-->"},"content":{"rendered":"<p><!--:en-->Every Chinese New Year, a huge migration takes place. Families reunite, they eat dumplings, they set off firecrackers \u2013 and they watch a Feng Xiaogang film.<\/p>\n<p>Often dubbed \u201cthe Spielberg of China\u201d, Feng has become a national institution. While his early years as a film-maker were defined by family-friendly comedies poking fun at China\u2019s materialistic culture, recently he has turned to weightier, big-budget epics, produced by the Wang brothers, China\u2019s answer to the Weinsteins. With 15 box office triumphs in 20 years, Feng is unquestionably the best-known \u2013 and most beloved \u2013 director of mainstream cinema in China.<\/p>\n<p><span style=\"color: #ff0000;\"><strong><em>FTA can act as your Chinese Celebrity Agency and help you contact book any\u00a0<a title=\"more info\" href=\"https:\/\/ft-agency.com\/wordpress\/celebrities\" target=\"_blank\"><span style=\"color: #ff0000;\">Chinese Celebrity.<\/span><\/a><\/em><\/strong><\/span><\/p>\n<p>Abroad, he is virtually unknown, despite Donald Sutherland, Adrien Brody and Tim Robbins starring in his films. It\u2019s an oversight that the BFI hopes to address with this month\u2019s retrospective, part of its \u201cElectric Shadows\u201d cultural collaboration with China. And it\u2019s one that the Chinese government, aware of the poor ratings of the country\u2019s films at foreign box offices, hoped to rectify by backing Feng\u2019s Back to 1942 as the country\u2019s official Oscar submission for Best Foreign Language Film this year.<\/p>\n<p>Yet, while the director seems sanguine about the ambivalence of audiences abroad, he has become increasingly fed up with unwanted scrutiny at home. \u201cIn the past 20 years, every Chinese director [has] faced a great torment,\u201d Feng said last year at the China Film Directors\u2019 Guild Awards, \u201cand that torment is [bleep].\u201d The censors bleeped out the word \u201ccensorship\u201d \u2013 no irony intended. His speech went viral. Many declared that, at last, someone had \u201cpainted eyes on the dragon\u201d, a phrase used to describe the moment a work or idea takes on a life of its own.<\/p>\n<p><span style=\"color: #ff0000;\"><strong><em>We help you find and contact book\u00a0<a title=\"Actors\" href=\"https:\/\/ft-agency.com\/wordpress\/actors\" target=\"_blank\"><span style=\"color: #ff0000;\">Foreign Actors<\/span><\/a>\u00a0in China and Foreign Models in China<\/em><\/strong><\/span><\/p>\n<p>China\u2019s long list of cinematic no-nos (any\u00adthing from ghosts and Kate Winslet\u2019s boobs to police brutality and corruption) are justified internally by the absence of an age-rating system \u2013 adults are, in effect, treated as children. Feng believes that Back to 1942, a film about a devastating famine in Henan in which nearly three million people died, was the best film he could make, given the restrictions: \u201cI would have made it darker, more cruel, if I could have.\u201d<\/p>\n<p>But darkness isn\u2019t an easy sell, with Chinese audiences thirsting for lightweight movies. \u201cEntertainment on its own is just a glass of water with sugar,\u201d says Feng. When Back to 1942 was beaten at the box office by Lost in Thailand, a Hangover-inspired comedy and the highest-grossing movie ever shown in China, Feng took to Weibo (China\u2019s equivalent of Twitter) and wrote: \u201cI am not proud of my nation any more.\u201d<\/p>\n<p>What may have appeared to be professional sour grapes was, Feng insists, a lament for the modern Chinese audience\u2019s unwillingness to confront the realities of their history: \u201cIt took me ten years to be able to make this film, because this isn\u2019t what we learned at school. We were always taught we were a great nation. But the more you learn about society and yourself, you can\u2019t be so blindly happy about everything.\u201d<\/p>\n<p>Feng\u2019s artistic ideals seem at odds with his previously unabashed commercialism. During the 1990s, while art-house films struggled to get past the censors and \u201cmain-melody\u201d films (those in tune with orthodox socialist ideology) failed to connect with audiences, Feng believed in the market and entertainment. \u201cBusiness is first, art is second,\u201d he said back then.<\/p>\n<p><span style=\"color: #ff0000;\"><strong><em>FTA can act as your Chinese Celebrity Agency and help you contact book any\u00a0<a title=\"more info\" href=\"https:\/\/ft-agency.com\/wordpress\/celebrities\" target=\"_blank\"><span style=\"color: #ff0000;\">Chinese Celebrity.<\/span><\/a><\/em><\/strong><\/span><\/p>\n<p>It paid off. Feng\u2019s hesui pian or New Year comedies helped start a \u201cback to the cinema\u201d wave that has been growing ever since. When his career began, the Chinese box office took 100 million yuan ($16.5m) a year. It now takes 20 billion yuan ($3.3bn). Last year, it overtook Japan to become the second-largest market in the world. Some estimate that it will surpass the US by 2018; there has been a 30 per cent annual growth in box office takings in the past decade. Cinemas are popping up at the rate of ten a day.<\/p>\n<p>\u201cThe Chinese government is always reminding us that there are more and more foreign films being imported and that they are stealing the market,\u201d Feng says. \u201cBut because of censorship, we have so many things to consider. Hollywood directors can do what they want. It\u2019s not a fair competition.\u201d<\/p>\n<p>While all films \u2013 foreign and domestic \u2013 are subject to the same scrutiny in China, the size of the market is irresistible. Max Michael, an American talent agent in China, summed it up: \u201cWhere there is money, there\u2019s co-operation.\u201d Although seven of the top-ten highest-grossing Chinese films were homegrown last year, many Hollywood producers are more than happy to tweak or reshoot their films to appease Chinese distributors and secure screen time.<\/p>\n<p><span style=\"color: #ff0000;\"><strong><em>We help you find and contact book\u00a0<a title=\"Actors\" href=\"https:\/\/ft-agency.com\/wordpress\/actors\" target=\"_blank\"><span style=\"color: #ff0000;\">Foreign Actors<\/span><\/a>\u00a0in China and Foreign Models in China<\/em><\/strong><\/span><\/p>\n<p>Feng has come full circle with his latest film, Personal Tailor. Like his first hit, Dream Factory (1997), it involves a group of actors who make people\u2019s dreams come true. One of the characters is a successful director who, tired of winning awards such as \u201cSell-Out Screenplay of the Year\u201d, craves critical recognition over popularity. Personal Tailor generated one of the most lucrative openings in Chinese history.<\/p>\n<p>It is this tension that defines Feng\u2019s career. \u201cI want to make films because I\u2019m interested in the subject, not to make money. I\u2019m past all that now,\u201d he says, before adding: \u201cBut you still have to think of the investors and producers. They need to make a profit to keep the market going.\u201d<\/p>\n<p>Feng Xiaogang is in conversation at BFI Southbank, London SE1, on 21 February<\/p>\n<p>The BFI\u2019s \u201cA Century of Chinese Cinema\u201d season starts in June<\/p>\n<p><a href=\"https:\/\/ft-agency.com\/wordpress\/wp-content\/uploads\/2014\/02\/201407feng.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail wp-image-7420\" alt=\"Feng\" src=\"https:\/\/ft-agency.com\/wordpress\/wp-content\/uploads\/2014\/02\/201407feng-150x150.jpg\" width=\"150\" height=\"150\" srcset=\"https:\/\/ft-agency.com\/wordpress\/wp-content\/uploads\/2014\/02\/201407feng-150x150.jpg 150w, https:\/\/ft-agency.com\/wordpress\/wp-content\/uploads\/2014\/02\/201407feng-200x200.jpg 200w, https:\/\/ft-agency.com\/wordpress\/wp-content\/uploads\/2014\/02\/201407feng-160x160.jpg 160w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Source: <a title=\"more information\" href=\"https:\/\/www.newstatesman.com\/culture\/2014\/02\/feng-xiaogang-and-chinese-cinema-boom\" target=\"_blank\">https:\/\/www.newstatesman.com\/culture\/2014\/02\/feng-xiaogang-and-chinese-cinema-boom<\/a><\/p>\n<p>FTA foreign acting&amp;modeling talent and foreign celebrity booking agency in China &amp; Chinese Celebrity booking for the world<\/p>\n<p>feng xiaogang bfi, Chinese Celebrity Agency, Chinese Celebrity booking, Foreign Actor in China, Foreign Model in China, \u5916\u6a21, \u5916\u7c4d\u6f14\u5458, \u5916\u56fd\u827a\u4eba<!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Every Chinese New Year, a huge migration takes place. Families reunite, they eat dumplings, they set off firecrackers \u2013 and they watch a Feng Xiaogang film. Often dubbed \u201cthe Spielberg of China\u201d, Feng has become a national institution. While his early years as a film-maker were defined by family-friendly comedies poking fun at China\u2019s materialistic [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":7420,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[123,157,162,132,133,91,78,82],"class_list":["post-7419","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-chinese-celebrity-agency","tag-chinese-celebrity-booking","tag-feng-xiaogang-bfi","tag-foreign-actor-in-china","tag-foreign-model-in-china","tag-91","tag-78","tag-82"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Feng Xiaogang: the Chinese Spielberg - BFI Talk in the UK - FTA<\/title>\n<meta name=\"description\" content=\"feng xiaogang bfi, Chinese Celebrity Agency, Chinese Celebrity booking, Foreign Actor in China, Foreign Model in China, \u5916\u6a21, \u5916\u7c4d\u6f14\u5458, \u5916\u56fd\u827a\u4eba\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ft-agency.com\/wordpress\/feng-xiaogang-chinese-spielberg-bfi-talk-uk\/\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Oliver\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/ft-agency.com\\\/wordpress\\\/feng-xiaogang-chinese-spielberg-bfi-talk-uk\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/ft-agency.com\\\/wordpress\\\/feng-xiaogang-chinese-spielberg-bfi-talk-uk\\\/\"},\"author\":{\"name\":\"Oliver\",\"@id\":\"https:\\\/\\\/ft-agency.com\\\/wordpress\\\/#\\\/schema\\\/person\\\/f076e4c00545b6ff0cb77e74c9bb28ad\"},\"headline\":\"Feng Xiaogang: the Chinese Spielberg &#8211; 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