{"id":6810,"date":"2013-10-22T05:58:41","date_gmt":"2013-10-22T05:58:41","guid":{"rendered":"https:\/\/ft-agency.com\/wordpress\/?p=6810"},"modified":"2013-10-23T03:49:14","modified_gmt":"2013-10-23T03:49:14","slug":"hollywood-must-think-bigger-about-china-says-producer-janet-yang","status":"publish","type":"post","link":"https:\/\/ft-agency.com\/wordpress\/hollywood-must-think-bigger-about-china-says-producer-janet-yang\/","title":{"rendered":"<!--:en-->Hollywood must think bigger about China, says producer Janet Yang<!--:-->"},"content":{"rendered":"<p><!--:en-->With a<span style=\"font-size: 13px; line-height: 19px;\">\u00a0few exceptions, Hollywood studios are moving far more slowly than Chinese companies in the world&#8217;s second-largest movie market, said U.S. producer Janet Yang, whose works include &#8220;The Joy Luck Club&#8221; and &#8220;Shanghai Calling&#8221;.<\/span><\/p>\n<p>Many studios, like Paramount Pictures with its &#8220;Transformers&#8221; franchise, have been taking steps to appeal to China&#8217;s fast-growing audiences by hiring Chinese actors or featuring Chinese products in their films.<\/p>\n<p>Others are doing co-productions in\u00a0<a title=\"Full coverage of China\" href=\"https:\/\/www.reuters.com\/places\/china\" data-ls-seen=\"1\">China<\/a>\u00a0and some, like\u00a0<a href=\"https:\/\/www.reuters.com\/finance\/stocks\/overview?symbol=DWA&amp;lc=int_mb_1001\" data-ls-seen=\"1\">Dreamworks Animation<\/a>, have forged nascent partnerships.<\/p>\n<p>But largely &#8220;the studios are not doing that much right now. They are feeling it out,&#8221; said Yang, 57, who has built a career melding East and West since she advised on Steven Spielberg&#8217;s 1987 movie &#8220;Empire of the Sun&#8221;, shot partly in Shanghai.<\/p>\n<p>&#8220;I&#8217;ve never seen so much talk about things with so few results. But that&#8217;s going to change,&#8221; Yang, named one of the 50 most powerful women in Hollywood by the Hollywood Reporter, told Reuters during a visit to\u00a0<a href=\"https:\/\/www.reuters.com\/places\/china?lc=int_mb_1001\" data-ls-seen=\"1\">China<\/a>.<\/p>\n<p>&#8220;It&#8217;s two different systems trying to come together, so a lot of dating and few engagements and marriages but probably more on their way.&#8221;<\/p>\n<p>Despite an import quota, Hollywood movies have dominated China&#8217;s box office &#8211; until that changed dramatically this year.<\/p>\n<p>In the period from January to June, domestic films outperformed imported ones by 65 percent. That was a major reversal from the same period last year, when proceeds from imported films almost doubled those of domestic productions.<\/p>\n<p>The stakes are high. Last year, box office revenue in\u00a0<a href=\"https:\/\/www.reuters.com\/places\/china?lc=int_mb_1001\" data-ls-seen=\"1\">China<\/a>\u00a0was $2.8 billion. In the first six months of this year, it hit nearly 11 billion\u00a0<a href=\"https:\/\/www.reuters.com\/subjects\/yuan?lc=int_mb_1001\" data-ls-seen=\"1\">yuan<\/a>\u00a0($1.8 billion).<\/p>\n<p>Those sales lag North America&#8217;s $10.8 billion last year but PricewaterhouseCoopers predicts the box office in the world&#8217;s most populous nation will hit $5.5 billion by 2017. China has about 15,000 movie screens now and builds five to 10 each day.<\/p>\n<p>Yang, who helped Disney adapt &#8220;High School Musical&#8221; for a Chinese audience, said U.S. studios are taking mostly &#8220;defensive measures&#8221; to avoid alienating an increasingly important market but should start to think bigger.<\/p>\n<p>&#8220;How about actually creating something that is appealing for the Chinese and also for the global market? I believe it&#8217;s possible,&#8221; said New York-born Yang.<\/p>\n<p>LACK OF EXPOSURE<\/p>\n<p>Part of the shift in the Chinese attention to domestic films comes down to big improvements in story lines and production.<\/p>\n<p>&#8220;I really am impressed with the quality of films that have been coming out in just the last couple of years,&#8221; Yang said. &#8220;I understand why people are going.&#8221;<\/p>\n<p>She pointed to this year&#8217;s romantic comedy &#8220;One Night Surprise&#8221; and last year&#8217;s unexpected blockbuster &#8220;Lost in\u00a0<a title=\"Full coverage of Thailand\" href=\"https:\/\/www.reuters.com\/places\/thailand\" data-ls-seen=\"1\">Thailand<\/a>&#8221; as the new breed of Chinese films that take some risks and connect with the modern audience.<\/p>\n<p>Still, a made-in-China global hit with Chinese characteristics &#8211; such as &#8220;Kung Fu Panda&#8221; &#8211; seems unlikely for the time being without Hollywood&#8217;s help.<\/p>\n<p>That 2008 Dreamworks creation sparked some soul searching in China, with many wondering why Chinese film makers have not done something like that.<\/p>\n<p>&#8220;It still stands as one of the few examples of a global studio franchise that was replete with Chinese context and it was not compromised on any level,&#8221; Yang said.<\/p>\n<p>Chinese studios are torn between wanting to cash in on the cinema boom at home and trying to go global, she said. Growth in Chinese-American co-productions will help pave the way.<\/p>\n<p>&#8220;The main problem is really not a lack of skills, it&#8217;s lack of exposure,&#8221; Yang said. &#8220;If you&#8217;re trying to make a global film, you can&#8217;t just do it through a Chinese lens.&#8221;<\/p>\n<p><a href=\"https:\/\/ft-agency.com\/wordpress\/wp-content\/uploads\/2013\/10\/Janet-Yang.jpg\"><img loading=\"lazy\" decoding=\"async\" alt=\"U.S. producer Janet Yang poses during an interview with Reuters in Beijing\" src=\"https:\/\/ft-agency.com\/wordpress\/wp-content\/uploads\/2013\/10\/Janet-Yang-150x150.jpg\" width=\"150\" height=\"150\" \/><\/a><\/p>\n<p>Source:\u00a0<a href=\"https:\/\/www.reuters.com\/article\/2013\/10\/22\/entertainment-us-china-janetyang-idUSBRE99K03420131022\">https:\/\/www.reuters.com\/article\/2013\/10\/22\/entertainment-us-china-janetyang-idUSBRE99K03420131022<\/a><\/p>\n<p>Foreign Talent Agency &#8211; Provides Foreign Models, Actors, Host, Dancers and A&amp;R Talent in China.\u5916\u56fd\u4eba\u624d\u4e2d\u4ecb\u673a\u6784 &#8211; \u63d0\u4f9b\u5916\u7c4d\u6a21\u7279\uff0c\u6f14\u5458\uff0c\u4e3b\u6301\u4eba\uff0c\u821e\u8e48\u5bb6\u548cA\uff06R\u5728\u4e2d\u56fd\u7684\u4eba\u624d\u3002<!--:--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>With a\u00a0few exceptions, Hollywood studios are moving far more slowly than Chinese companies in the world&#8217;s second-largest movie market, said U.S. producer Janet Yang, whose works include &#8220;The Joy Luck Club&#8221; and &#8220;Shanghai Calling&#8221;. Many studios, like Paramount Pictures with its &#8220;Transformers&#8221; franchise, have been taking steps to appeal to China&#8217;s fast-growing audiences by hiring [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":6811,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[289,49,48,47,46,291,290,292,55,59,58,57,52,53,56,54],"class_list":["post-6810","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-actors","tag-children","tag-china","tag-dancers","tag-foreign","tag-men","tag-all-models","tag-women","tag-55","tag-59","tag-58","tag-57","tag-52","tag-53","tag-56","tag-54"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hollywood must think bigger about China, says producer Janet Yang - FTA<\/title>\n<meta name=\"description\" content=\"Foreign Talent Agency - 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