Extract:

On the soundstage, the mood is not tense but dense—concentrated, packed, and tightly timed. After production is finished, Jonze will give himself room to breathe—“For him,” Landay says, “a fairly aggressive schedule, if everything goes smoothly, would be to finish by the beginning of next summer.” But right now, the pressure is on. In three days, Jonze, Phoenix, and a very lean crew will fly to Shanghai for two weeks of shooting in which the new skyscrapers and raised walkways of the Pudong business district will double for downtown L.A. circa the day after tomorrow. Jonze had originally hoped to shoot Her entirely in China, making full use of modern Shanghai’s architecture and design aesthetic. But, although Warner Bros. will distribute Her, it is actually Jonze’s first film in more than a decade to be made without studio money, which necessitates some compromises. When the deep-­pocketed 27-year-old maverick producer Megan Ellison, who produced Paul Thomas Anderson’sThe Master and Kathryn Bigelow’s Zero Dark Thirty, agreed to finance the movie, Jonze decided to save money by doing most of the shooting in L.A.

Full Story @: https://www.vulture.com/2013/10/spike-jonze-on-making-her.html

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